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The Woman Who Walked Into Doors - Roddy Doyle

4/9/2024

 
Picture
It’s all down to that first-person narration: Paula, in her head, in her hellhole of a marriage, in her Dublin vernacular.
 
Because she knows how to tell her story, straight out, it’s incredibly alive with undiluted truth and emotion and pain even as she jokes about it.
 
“Something had gone wrong.
I fell.
I’d been too near him; he hadn’t realised.
He’d only been warning me.
He didn’t know his own strength.
He had things on his mind.
Anything.
It wouldn’t happen again. Anything. It wouldn’t happen again. How could it? It had been a mistake. We’d laugh about it later.”
 
This is domestic physical and emotional abuse. This is exactly how it happens, what it looks like and how it feels. Paula is too emotionally invested, too scared, too bewildered to leave Charlo. There are no safeguards in these suburbs and so she takes it, again and again. 
 
This, too, is alcoholism: how it happens, what it looks like... When she goes to the shed and necks the wine, it is a killer of a description.
 
Brutally eloquent, pitch black with humour, brilliantly written. Hats off to Roddy Doyle. He doesn’t know it (or me), but I have a double connection with him, via Fighting Words and Fish Publishing.

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  • Home
  • Thrillers
    • The Asturian Campaign
    • Citizens of the Night
  • Urban fantasy
    • The Ministry of Flowers
    • El ministerio de las flores
    • John Eyre
    • Hoodwink
    • Parasite of Choice
    • The Man Who Died
    • Immig's Work
    • The Sweet Teeth of God
    • Four Stories
  • Readings
  • Travels
    • 1980s England
    • 1987 South America
    • 1989 USA
    • 1990 India & Nepal
    • 2000 Central America
    • 2007 Argentina
    • 2007 Colombia
    • 2008 Argentina & Bolivia
  • About
  • Contact