Guy Arthur Simpson
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The Kite Runner – Khaled Hosseini

15/9/2025

 
Picture
Unless there are redeeming features (such as humour or splendid characters), I tend to find stories of horror and sentimentality redundant and typically distasteful. They foist on us cheap, shallow emotion that disturbs while teaching us nothing. The Kite Runner is light on the horror, but makes one insistent tug on the heart strings after another.
 
Once Amir the boy and his particular unpleasantness were left behind and he was grown up and in courting in the USA, I managed to warm to him briefly, but not to the book.
 
I hadn’t bargained for all the lachrymose parallels and coincidences: the tragic family deaths, the return of Aseef, the sexual assaults, the split lips, the noble generosities, the motherless sons, the fated return of the bloody kite.
 
By the time I reached the end, the corny inevitability of what was going to happen was unbearable.

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  • Home
  • Literary fiction
    • The Asturian Campaign
    • Citizens of the Night
    • The Ministry of Flowers
    • El ministerio de las flores
    • The Sweet Teeth of God
    • The Life and Death Performance of Tony Bedowie
  • Urban fantasy & SF
    • John Eyre
    • Hoodwink
    • Parasite of Choice
    • The Man Who Died
    • Immig's Work
    • Four Stories
  • Readings
  • Travels
    • 1980s England
    • 1987 South America
    • 1989 USA
    • 1990 India & Nepal
    • 2000 Central America
    • 2007 Argentina
    • 2007 Colombia
    • 2008 Argentina & Bolivia
  • About
  • Contact